Do all chord progressions need to include the tonic? It depends on what we are talking about. Most people identify the “one” (I.) chord as a tonic, but the truth is, we can use four tonic chords in a song even if the song doesn’t modulate into another key. (I teach all the chord functions in our songwriting course.) But even if we only count only diatonic chords, there are two tonic chords: the I. and the VI.
So in reality, there aren’t many chord progressions without any tonic chords in them. However, if we only want to avoid the tonic “one” chord, we can find many examples of these kinds of chord progressions. And the truth is, there is no practical use in avoiding both the “one” and the “six” chords. It’s completely possible, but there’s no point in it.
If you want to learn more about this stuff, go through our online songwriting course in which I show you how you can create melodies for chord progressions that don’t contain the tonic I. chord.
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